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Miss Lucy Acton sat with her eyes veiled by downcast lids fixed in a stare as lifeless as the dead upon her hands, which lay clasped in her lap. So motionless was she, you would have said she slept. Much of the lovely bloom that always gave to her lineaments a choice sweetness was absent, but not the less[Pg 281] did as much of her face as was visible express its refined and delicate beauty.,

"But what is to happen to him," said Lucy, "if you carry him back to England? I would rather hear," she cried, with an emphasis which may have borrowed note and complexion from the impulse of her late impersonations of madness, "of the Minorca having sunk and carried him down to the bottom of the sea with her, than live to witness his degradation and perhaps his death and the misery and the broken-heartedness that must come to his dear old father, if you do not prove his friend, and help to reclaim a nature that in its essence is beautiful, and a fulfilment of the purest woman's ideal.",

Billy nodded. "An' is the schooner still anchored off here?" he asked. "I might take a fish-boat an' row out to her, if she is.",

"'Why,' I says, 'there he is now.' Hinter had jest climbed the opposite fence an' stepped into the road. Mr. Maddoc slid down an' went right up to him. Hinter's face turned white when he saw Mr. Maddoc. He couldn't speak fer a minute, an' then all he did was mumble somethin'.

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He paused to survey the rows of uplifted faces and let his words sink home. Then lifting a long hickory pointer from his desk, and holding it much as a conjuror might hold his wand, he gripped the edge of the desk with one bony hand and leaning forward, said:,

"Thank God," he whispered, and stood trembling. Then, as though to himself, he said softly: "It is as though her soft hand touched these eyes that will never see again.",

CHAPTER XXIV BILLY TO THE RESCUE,

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.